Sitting adjudicating an amateur solo piping competition the other day, I got to thinking again about the competitors, so many of them so anxious and apprehensive.
Playing before a judge who’s going to judge your music is a weird thing to subject yourself to, but it’s what we do. It wasn’t until I was on the other side of the table that I appreciated that I had it all wrong for all those years as a competitor.
Competitors generally have the wrong idea about judges. I know I did, especially when I was younger.
I can only speak with certainty for myself as a judge, but I like to think that these things apply to any right-minded and decent adjudicator.
So here are a few tips for competitors as to what judges actually want when they’re judging you.
- Judges want you to play as well as you can. This is the most important thing to know. Any decent judge is rooting for you to play well, or at least to your personal best. I think many competitors mistakenly think that judges rejoice every time you make a mistake. Not true.
- Judges were once on your side of the table. Every adjudicator (except for a few anachronisms from a different era who still judge in the UK despite every competitor preferring that they don’t) has been a competitor. We know what you’re going through. It’s not easy. We can empathize.
- You will be given the benefit of the doubt. I know that if I wasn’t sure about something that I thought I heard, I will assume it was my mistake, not yours.
- Don’t tip your hand. If you make a mistake keep going. Don’t draw attention to it. If you played the wrong tune or got the parts mixed up, never assume the judge noticed or even knew, so don’t proactively confess to it. While I admire your honesty, I’d shake my head at you drawing attention to your error.
- Don’t start unless you’re satisfied with the sound. Unless there’s a tuning time-limit, don’t start until you are completely happy with the sound of your instrument. This happens a lot: competitors feeling like they have to start, and knowingly begin with their drones out of tune. True, labourious tuning for no real reason is irritating, but if you are struggling to get your drones in tune or your instrument isn’t quite settled, take the time to get it right. As long as it’s not against the rules, no decent judge will penalize you for tuning, but you will be criticized negatively for an out-of-tune instrument. The memory of long tuning evaporates with the actual competition performance.
- We want you to want to play. Connected with #5, judges can tell when a player simply does not want to play. They’ll tune for ages not because their instrument needs it, but because they’re procrastinating. If you’re going to compete, wanting to actually perform is the first step. Maybe you’re a masochist, but if you hate competing, don’t compete.
- It’s all about you. Judges are there to serve the competitor. We’re not trying to distract you, and we are (or should be) conscious of how we operate, when we write, tap our feet, or play along with you. My least favourite judges were the few who thought it was all about them, with histrionics designed to draw attention away from the performance, ticking off every mistake they heard just to show others that they heard it, too. (Did they count up all the ticks or something to decide their prize-winners?) It should never be about the judge; it’s all about you.
- It’s never personal. Reacting to not being in the prizes, thinking that a judge must not like you as a person, can be an automatic human response. No, they just preferred other performances over yours. Judges are ambivalent as to who wins; they only care what wins.
- Judges want you to be happy. It’s music, but we so often are miserable playing it in competition because of anxiety. Make the music that you love. It’s something out of nothing and then it’s only a memory. Consciously making and enjoying music is a miracle that distinguishes us from other animals. Make a good memory. Enjoy yourself.
It can take many years for competitors to understand these things, and sometimes that understanding only comes when you’re on the other side of the table.
I hope they might positively change your perspective the next time you compete.