Plastic drones. They’re here and they will soon be played and win prizes at every level.
That’s my personal prediction based on a number of factors.
First, the CITES blackwood restrictions are already adding expense and time to delivering new blackwood instruimemts.
Second, advances in synthetic materials like acetyl have been significant. Bagpipe makers that aren’t getting into synthetic materials might want to get moving, unless they’re happy staying smaller and bespoke.
Third, I’m led to believe that the material is far more stable than blackwood. That is, it can be made to more exacting specifications with true laser precision. It’s also not going to warp and crack like wood over time. No need for wood oil and humidity-controlled rooms and pipe boxes.
Fourth, moisture is hardly a factor today. The advent and constant perfection of moisture control systems, plastic and carbon-fibre drone reeds, and synthetic bags virtually eliminate problems with condensation building up in cold or over-played instruments.
Fifth, plastic chanters are by far in the majority. In the 1970s when War-Mac came on the scene with grey, synthetic chanters, purists poo-pooed them – until Shotts & Dykehead started to win. The tone misperceptions that might have existed at the solo level have been broken down. Synthetic chanters have won Gold Medals and Clasps for at least 15 years.
Sixth: apart from the initial manufacture of acetyl and other plastics, it’s environmentally neutral and, presumably, even recyclable. Picture trading in your set of acetyl pipes and getting a recycling credit toward your next purchase.
To be sure, there are bands that still use blackwood chanters, and more power to them. Whatever works. But they’re certainly not using blackwood out of principle.They’re using blackwood because they prefer the sound and feel. I’m sure they’d just as soon play plastic chanters if they thought they sounded and felt better.
In fact, no one particularly cares what materials are used anymore. Whatever sounds the best will do the best. I don’t know a judge out there who pre-judges because of instrument materials.
If I were a bagpipe maker I would speed along this process with some canny marketing. Sponsor a top-tier solo piper and/or band to compete with synthetic drones. Don’t tell anyone. Just let them win with the instrument, then have a big reveal and watch the orders pour in.
It is completely realistic to expect that it will be commonplace for bands to have matching drones, something that I believe when Dysart & Dundonald’s pipe section played cheap model Kintail drones because the band’s pipe-major had a hand in the Kintail business.
I’m old enough to be familiar with the movie The Graduate. “One word: plastics.”