“To A Louse, On Seeing One on a Lady’s Bonnet at Church” is one of my favourite Robert Burns poems. The lines above, “translated” from the Scots to common English, are roughly, “Wouldn’t it be great if some divine power could give us the ability to see ourselves as others see us?”
There was a recent cartoon in The New Yorker magazine that to put the Highland pipes on the same level of abuse as the American banjo. We all know that the pipes are much maligned (mainly by those who only know them by the ear-wrecking sound of rank novices who refuse lessons, with no interest in improving, who insist on publicly displaying their inabilities – our own worst enemies), but the banjo? I always thought it added instant happiness to all genres of music, including its native bluegrass. Who doesn’t like the banjo?
The Internet and social media have made researching just about anything easy. Pick a topic and you can get a snapshot of what people think in a few keystrokes. In a sense, it gives us the power to see ourselves as others see us.
I have many continual searches set up for all kinds of things for work and piping and other hobbies, and use Tweetdeck to take a read of Twitter activity. Of course, I have a column for “bagpipe.” What’s found is generally a depressing series of jokes and abuse, often involving shoving drones up various orifices and well-worn jokes and myths about the instrument. (The one about a bagpipe originally being made from a sheep’s liver; the difference between chopping up an onion and a bagpipe – no one cries when it’s a bagpipe, and so forth).
But what about a banjo? How does the tweeting public view that instrument? Is there, as the cartoon suggests, the same level of abuse against it that we see hurled at our treasured bagpipe? Hardly. With few exceptions, and after weeding out references to Ashley Banjo, the vast majority of mentions are respectful and loving references. There are the odd mentions of hitting a cow’s backside with a banjo, but these aren’t against the banjo itself.
The accordion also seems to be mocked as an instrument. But a search of mentions on Twitter brings up pretty much nice stuff about France and bread shops and joyful ensembles. Like the banjo, there is the odd person who thinks it’s dorky but, unlike the Highland pipes, there is nowhere near the level of ignorant hatred that we endure.
I kind of hoped that a social media search of “banjo” and “accordion” would bring some degree of comfort that, yes, the pipes have common ground with a few other instruments in terms of public misperception. But, no, we might never change the thinking of the unwashed masses, and perhaps “to see oursels as ithers see us” isn’t quite so useful after all.