Social media has profoundly impacted the piping and drumming world. I wrote before about how technology platforms and gizmos have brought all of us closer together, and certainly I am an early adopter of digital whatevers if they move us forward.

Social media has made everyone sort of familiar with everyone else. For better or worse, it has broken down the mystique that our greatest bands and players once had. Just about everything is right there now for anyone interested. That hot new medley that was once debuted with a pent-up splash at the first contest is now pretty much old-hat, heard on recordings, seen on YouTube, the scores circulated by phone. Ten-time-Clasp-winner Dugald MacFarquhar is a “Friend.” You made a sassy comment to a famous drummer’s status update — you don’t really know him, but by chiming in you feel aligned with greatness.

We’re so familiar with everyone and everything vicariously on the Internet that, when we actually meet people or attend things in-person, there are hardly any surprises.

In general, technology has made us cozier. Our once rather cold, cold competition ground is now a lot lot warmer. There are fewer bitter rivalries. The arch-enemies who we’d previously willfully ignore are now Friends whose posts we Like.

But along with that new-found glow from social media has come a disturbing underbelly of animosity and vitriol and even hatred. In fact, it was there from the beginning of the net, starting with the wretched cesspool called alt.rec.musicmakers.bagpipe, an early newsgroup chat thing where anonymous crackpots would go to spread their vile, even psychopathic, bile.

Gradually, though, things like that and the horrible Delphi Beer Tent forum and occasional other sordid places lost out to saner people. Facebook, with its mostly positive, authentic temperament, is the platform of choice for the pipe band world.

But there is still awfulness out there. There remain those who will say horribly demeaning and even libelous things about our fellow pipers and drummers. Where once they would do that only anonymously, there are those who are actually willing to put their names to their invective via Facebook.

It generally happens when a sort of online mob-rule takes over good judgment. One idiot throws a rock, so another jerk breaks a window, and pretty soon mild-mannered and kind folk join the raging mob, take leave of their facilities and start lobbing personally-signed Molotov cocktails of flaming hate.

The difference is, these online glassings of our fellow pipers and drummers are there forever. No amount of deletions or apologies will remove the digital stain of their wrong-headedness. When they pressed Enter, no matter how many beers they had consumed or how many others egged them on, the fact that they made the decision to say what they said remains.


It also can be hurtful and damaging beyond an intended schoolyard taunt. Some hateful comments are even actionable.

If you’re wondering if this post is about you, well, then it probably is.

I’m not suggesting the pipe band world should be the land of the Care Bears. Healthy debate and discussion and even the occasional heated argument allow us to grow. We’ll never like everything or everyone, but the least we pipers and drummers require and expect of each other is mutual respect.

There’s no place for mob-rule. After all, it’s music. But those who consciously and consistently press Enter to spew their hatred against others will get what they deserve: eventually they won’t be welcome in the club, which ultimately stands for good.


Worlds away

Is it Worlds or World’s?

Answer: it’s World’s.

Worlds is the plural of world, and there is only one world, at least when it comes to the World Championship.

“World’s” is possessive, as in “Championship of the World.”

Since it’s the championship of one world, it’s World’s. If it were the championship of two worlds, it would be Worlds’.

Just like “Field Marshal” is correct, and not “Field Marshall”; and there is no space between Scottish and Power in ScottishPower; and Dunn is “Alastair,” Henderson is “Alasdair,” and McLaren is “Alisdair,” it should be “World’s.”

It isn’t Worlds, it’s World’s.

Oh, and it’s pipes|drums, pronounced “pipes-drums,” not “pipes and drums.”

Their. Thats better, isnt it?


The recent Shotts / Jim Kilpatrick developments are, to put it mildly, unfortunate for all – the band, the drummer and even the entire pipe band world.

I won’t go in to who I think is right and wrong, since I believe each party shares some right and some wrong. Based on what I know, I can see the pros and cons of each side of the situation. Besides, my opinion on who’s right and wrong does not matter one iota.

What is clear is that the timing of the developments couldn’t be worse. The return of Shotts & Dykehead from burning wreckage in 2012 to World’s winner in 2015 is one of the greatest pipe band success stories ever. To me, it ranks right up there with Inveraray & District’s rise from formation to Grade 1 contender in eight years, or Dysart & Dundonald’s redefining in the 1970s that a great pipe band could be made up of kids, taught from scratch, rather than wizened veterans slowly going through the ranks.

The Shotts move truly shocked the piping and drumming world. The reigning World Champion that seems to have done everything right suddenly acrimoniously parting ways with the greatest competitive pipe band drummer of all time?

Blockbuster, indeed.

The shock was predictable. What has been surprising to me is the fallout and public shaming on Facebook and Twitter. After nearly 50 years building them, Kilpatrick’s fans are legion, and many responded by taking his side of the story. The band’s side, despite the fact that it seems to have a golden touch when it comes to making all the right moves, seemed to be grasped, much less believed, by few.

Shotts & Dykehead Caledonia is more than 100 years old. Over its history the band has seen its share of contentious personnel changes. Greats like J.K. McAllister, Tom McAllister, Alex Duthart, Robert Mathieson and Jim Kilpatrick himself have been at the centre of band controversy, but their legend continued and continues. As ever, these things passed.

All bands make personnel challenges. It’s true that winning encourages camaraderie and “chemistry,” but even the winningest bands have their disputes, and even World Champions have to make tough decisions that, to the outsider, seem inconceivably stupid. Only from the inside can situations be understood completely, and even then complete understanding is a longshot.

Again, I appreciate both sides of the current situation, and I don’t side with one party or other. Each handled the communications of the matter as they saw fit, and no communication strategy – whether pipe bands, corporations or people – is ever perfect.

The band appears to think that the more it says the worse it will become. Despite 100-plus years of history, it knows that the here-and-now is what matters. No one will side with the 2015 version of Shotts just because they liked the McAllister-Duthart era.

Kilpatrick’s legend – in the here-and-now – is bigger than the band’s, and the band recognizes, I think, that it can’t win against the battalions of Kilpatrick supporters. Jim Kilpatrick also understands that he has a stronger and more interpersonal following, and they have mobilized in support of their hero.

But the public shaming and the figurative lynch mobs breaking out on social media are ridiculous and even embarrassing. Really? Is that what we pipers and drummers do to each other? I’ve never seen other pipers and drummers set out to destroy a band because of something it did, and it shouldn’t happen now, or ever.

Maybe I’m kidding myself, but social media public shaming of individuals is not what we pipers and drummers do. It’s unacceptable, immature and even cowardly behaviour.

It’s the quality of music that is played that matters. While people must respect others, it’s not a personality contest on the field or the concert stage. Plenty of nice people and plenty of jerks have won plenty of competitions. We are not judged on our conduct or character, we’re judged on quality of music. That said, we are just naturally nice and only in rare times do we allow emotion to get the worst of us.

I feel bad for Kilpatrick and Shotts in equal measure. Like 99% of pipers and drummers, they are good people. There might be hard feelings and upset, but I don’t believe that they want to harm anyone. Decisions and timing and communications can always be better, and if we expect perfection of anyone inevitably we will be disappointed.

Bands and people make decisions for many reasons, and unless we are there or those people, we will never know all of the details.

I hope that the Shotts band and Jim Kilpatrick can move on. No amount of hand-wringing or name-calling or Facebook grouping or public shaming by people will help.

Let’s get back to allowing the music to do the talking.